Whoa!
Rabbi Oppenheimer (the rav who kicked off Portland's transformation into a model of a thriving Torah community) wrote this week here:
I have heard Rabbi Yissochor Frand שליט"א say on several occasions that when he was growing up in Seattle, they considered the Jewish community in Portland, Oregon to be a virtual עיר הנדחת. The community seemed so irredeemably lost to Torah-true Judaism that there was no hope that anything positive would come from it. Surely that was meant hyperbolically; it has been proven quite wrong...
Portland is now a community that other communities look to to find out how to grow a Torah community.
...
The other item in this vein is that I recently caught up with a middle school classmate who was able to fill me in on what the rest of our class is doing.
Pretty much every one of us is doing something that could not have been predicted from who we were in middle school.
The boy who slouched in the back of the room with his hair in his eyes is a rising star in the fashion industry.
The girl who never went anywhere without two spare pairs of high-fashion shoes is in rural South America organizing a farming commune.
The list goes on and on like that. Almost none of us seem to have proceeded in a straight line from who we were in middle school.
I look now at the class of middle schoolers I taught this year and realize that everything I think I know about them could be wrong completely.
Showing posts with label growth mindset. Show all posts
Showing posts with label growth mindset. Show all posts
What Size Is Your Canvas?
Today we attended a child's birthday party (great party; thanks!) held at a local museum of modern art.
Participants were handed a canvas, a tray of paints, and some yarn for creating resist-work; and given some basic instructions.
Children were handed a small canvas. Adults were handed a large canvas.
I stared at that canvas and couldn't figure out what to do with it.
Mind you, I am the art teacher and the free spirit and the etc. etc. but before I use up something fancy like a huge stretched canvas I like to have a plan for what to do with it.
I took one of the small canvases, which seemed better proportioned to under an hour of winging it.
I was explaining this to a friend sitting next to me.
"Yes," put in mine host; "my wife asked the museum staff whether the canvases for children weren't rather small; and they said that children tend to be intimidated by larger canvases and would enjoy the small ones better."
...
I would like to see some information on the average age at which children cease to be intimidated by large canvases -- and what causes that transformation.
If, indeed, that particular transformation ever takes place. There were plenty of adults (no children) who declined to paint at all: "I have no artistic talent."
...
I am reminded of a certain historical reenactor who once wrote that whenever she visits a historical site, she instinctively looks for the servants' entrance.
What makes us become the lords and ladies of the manor, and the users of large canvases?
Participants were handed a canvas, a tray of paints, and some yarn for creating resist-work; and given some basic instructions.
Children were handed a small canvas. Adults were handed a large canvas.
I stared at that canvas and couldn't figure out what to do with it.
Mind you, I am the art teacher and the free spirit and the etc. etc. but before I use up something fancy like a huge stretched canvas I like to have a plan for what to do with it.
I took one of the small canvases, which seemed better proportioned to under an hour of winging it.
I was explaining this to a friend sitting next to me.
"Yes," put in mine host; "my wife asked the museum staff whether the canvases for children weren't rather small; and they said that children tend to be intimidated by larger canvases and would enjoy the small ones better."
...
I would like to see some information on the average age at which children cease to be intimidated by large canvases -- and what causes that transformation.
If, indeed, that particular transformation ever takes place. There were plenty of adults (no children) who declined to paint at all: "I have no artistic talent."
...
I am reminded of a certain historical reenactor who once wrote that whenever she visits a historical site, she instinctively looks for the servants' entrance.
What makes us become the lords and ladies of the manor, and the users of large canvases?
Artist: Dena Ackerman
I keep wanting to link to artists whose work I like, even though their relevance to the rest of the blog is debatable.
Maybe that's because blogs are supposed to be spattered all over with pictures.
Let's call it a feature.
Today's artist is Dena Ackerman. You can find more of her work here and on Facebook.
I like how much she experiments with style and medium. The fact that she still ranges so widely despite being an established talent makes me feel better about still being in an experimental phase with... things.
I also like her work.
Maybe that's because blogs are supposed to be spattered all over with pictures.
Let's call it a feature.
Today's artist is Dena Ackerman. You can find more of her work here and on Facebook.
I like how much she experiments with style and medium. The fact that she still ranges so widely despite being an established talent makes me feel better about still being in an experimental phase with... things.
I also like her work.
 |
| This is an Edward Gorey-style illustration she did for one of Rebbe Nachman's stories. |
A Montessorian on Motivation
"But do you think it can really be done, to have students studying different material simultaneously in one classroom?" the principal asked.
"Absolutely!" I said, and started ticking off - Montessori, and Sudbury, and the local middle school math class, and the entire history (and present) of the one-room schoolhouse in America, and -
"But," she said, cutting into my description of Montessori, "what if you have a student who just doesn't want to learn?"
I have some memories of what I've observed Montessori teachers doing for specific kids, but - does Montessori have a general prescription for this? I was curious.
So, I wrote to one of my Montessori teachers to ask her.
Here's her answer.
Her phone inserted its own line breaks; I've left them in because I like the found-poetry aspect of it.
You asked about discipline at the High School level — this probably will sound elitist but
It all begins with 2 1/2 year olds and builds on what is learned at that level through
Lower Elementary, Upper Elementary and into Jr High.
As you might remember one important aspect at any level of Montessori is learning to make good choices.
At all levels, students make mistakes and
***learn from these mistakes — are encouraged to work through them, talk them out and decide to try again.
Another important aspect is adult guidance to steer EACH INDIVIDUAL toward exactly what s/he needs (academically, socially,
and as an individual).
Montessorians try to instill a love of learning
In each student while guiding each student toward learning the basic skills needed in life.
Learning how to learn is VIP. As well as discovering what turns each person on
— what is their passion? But also realizing
that those disciplines that are not so interesting/more difficult, must be tackled as well.
At all levels our Montessori students are encouraged to pursue their interests;
work hard to overcome their weaker areas;
learn how to work with others in a variety of activities; and really care about the world around them.
My inner mantra was always:
Everything is connected.
We are connected to everything.
Anyway, I found this info from Cleveland
about their High School program and thought it might be of interest.
https://www.
"Absolutely!" I said, and started ticking off - Montessori, and Sudbury, and the local middle school math class, and the entire history (and present) of the one-room schoolhouse in America, and -
"But," she said, cutting into my description of Montessori, "what if you have a student who just doesn't want to learn?"
I have some memories of what I've observed Montessori teachers doing for specific kids, but - does Montessori have a general prescription for this? I was curious.
So, I wrote to one of my Montessori teachers to ask her.
Here's her answer.
Her phone inserted its own line breaks; I've left them in because I like the found-poetry aspect of it.
You asked about discipline at the High School level — this probably will sound elitist but
It all begins with 2 1/2 year olds and builds on what is learned at that level through
Lower Elementary, Upper Elementary and into Jr High.
As you might remember one important aspect at any level of Montessori is learning to make good choices.
At all levels, students make mistakes and
***learn from these mistakes — are encouraged to work through them, talk them out and decide to try again.
Another important aspect is adult guidance to steer EACH INDIVIDUAL toward exactly what s/he needs (academically, socially,
and as an individual).
Montessorians try to instill a love of learning
In each student while guiding each student toward learning the basic skills needed in life.
Learning how to learn is VIP. As well as discovering what turns each person on
— what is their passion? But also realizing
that those disciplines that are not so interesting/more difficult, must be tackled as well.
At all levels our Montessori students are encouraged to pursue their interests;
work hard to overcome their weaker areas;
learn how to work with others in a variety of activities; and really care about the world around them.
My inner mantra was always:
Everything is connected.
We are connected to everything.
Anyway, I found this info from Cleveland
about their High School program and thought it might be of interest.
https://www.
Monkey School
My daughter informs me that her stuffed monkey, Monkey, attends Monkey School.
In Monkey School, she said, instead of being in a grade, when the monkeys know the material, they graduate up to the next level.
Apparently, Monkey School differs from a typical K-8 school in that the default assumption isn't that students will spend a year in a grade; instead, units are smaller and students are constantly moving up, as if in a video game.
I like it.
In Monkey School, she said, instead of being in a grade, when the monkeys know the material, they graduate up to the next level.
Apparently, Monkey School differs from a typical K-8 school in that the default assumption isn't that students will spend a year in a grade; instead, units are smaller and students are constantly moving up, as if in a video game.
I like it.
All Lessons as Music Lessons
A speaker I once heard, on the subject of growth mindset, illustrated his point by describing how music lessons are taught.
The emphasis is on using feedback. The student plays; the teacher listens and offers direction; and the student tries again.
What would school look like if all lessons were structured like music lessons?
The emphasis is on using feedback. The student plays; the teacher listens and offers direction; and the student tries again.
What would school look like if all lessons were structured like music lessons?
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